Alejandro González Iñárritu
by Celestino Deleyto and Maria del Mar Azcona
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This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.
See the publisher website: University of Illinois Press
See the complete filmography of Alejandro González Iñárritu on the website: IMDB ...
> From the same authors:
Cosmopolitan Aspirations in Contemporary Cinema (2024)
Dir. Maria del Mar Azcona, Julia Echeverría and Pablo Gómez-Muñoz
Subject: Sociology
Before Sunrise (2024)
Young Love on the Move
by Maria del Mar Azcona and Celestino Deleyto
Subject: One Film > Before Sunrise
From Tinseltown to Bordertown (2017)
Los Angeles on Film
Terms of Endearment (1998)
Hollywood Romantic Comedy of the 1980s and 1990s
Dir. Peter William Evans and Celestino Deleyto
Subject: Genre > Comedy/Humor
> On a related topic:
The Three Amigos (2013)
The Transnational Filmmaking of Guillermo Del Toro, Alejandro González Iñárritu, and Alfonso Cuarón
by Deborah Shaw
Subject: Director > Guillermo del Toro, Alejandro González Iñárritu, Alfonso Cuarón