Les livres en français sont sur www.livres-cinema.info
Late-colonial French Cinema
Filming the Algerian War of Independence
de Mani Sharpe
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
Deploying the term 'late-colonial' to describe a body of largely French films made during, and in response to, the Algerian War of Independence (1954-1962), this book revolves around one question - what is late-colonial French cinema? - generating two answers.
Firstly, Sharpe argues that late-colonial cinema represents a formally and thematically important, yet unappreciated tendency in French cinema; one that has largely been overshadowed by a scholarly focus on the French New Wave. Secondly, Sharpe contends that whilst late-colonial French cinema cannot be seen as a coherent cinematic movement, school of filmmaking, or genre, it can be seen as a coherent ethical trend, with many of the fifteen central case studies explored in Late-colonial French Cinema filtering the Algerian War of Independence through a discourse of 'redemptive pacifism'.
À propos de l'auteur :
Mani Sharpe is a Lecturer in Film in the Centre for World Cinemas and Digital Cultures at the University of Leeds. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.
Revue de Presse:
This is a book full of riches, combining scholarship and style. The research is meticulous, the contextualisation magisterial. A major contribution to cultural history as much as to film studies, Sharpe’s work forms a missing piece of the jigsaw regarding French cinematic representations of Algeria.
– Guy Austin, Newcastle University
In this expertly written book, Mani Sharpe uncovers a buried web of French late-colonial film. A varied array of shorts and features expose and dissimulate a dissolving French-Algeria. Sharpe's exploration of masculinity and militantism in these resurfacing artifacts demands our immediate attention.
– Nicole Beth Wallenbrock, City University of New York
Voir le site internet de l'éditeur Edinburgh University Press
> Sur un thème proche :
Reframing Remembrance (2021)
Contemporary French Cinema and the Second World War
Hollywood's Unofficial Film Corps (2025)
American Jewish Moviemakers and the War Effort
Sujet : Countries > United States
One World, Big Screen (2016)
Hollywood, the Allies, and World War II
The Afterlife of America's War in Vietnam (2006)
Changing Visions in Politics and on Screen
Sujet : Countries > United States
Retour
