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The Films of William Friedkin
by Steve Choe
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Book Presentation:
Provides the first scholarly study of the films of William Friedkin
• Contextualizes the entire trajectory of Friedkin’s work both historically and theoretically, from his first production in 1962, The People vs. Paul Crump, to Killer Joe
• Offers a comprehensive understanding to his creative oeuvre, closely analyzing the director’s films and television productions
• Explores key theoretical issues around melodrama, the ideological boundaries between good and evil, the formations of modern institutions, problems of sovereignty, transgression, and the phenomenology of his obsessive imagery
William Friedkin is the director of genre-defining works such as The French Connection (1971) and The Exorcist (1973), controversial productions like Cruising (1980) and Killer Joe (2011), as well as understudied films including The Birthday Party (1968), Sorcerer (1977) and The Hunted (2003). This book, the first scholarly study of Friedkin’s films, reveals how they confront the ambiguities of law and morality, issues of subjectivity and problems of faith, while raising key questions around emotion and narrative in the cinema.
Placing his work in the historical contexts of the Vietnam War and Nixon’s presidency, ReFocus: The Films of William Friedkin also examines the director’s representations of sex and violence after the dismantling of the Production Code and in light of the rise and fall of New Hollywood cinema.
About the Author:
Dr Steve Choe is Associate Professor of Film Studies at San Francisco State University
Press Reviews:
This is a closely reasoned argument for William Friedkin as a filmmaker of transcendent faith and existential authenticity. It provides a sophisticated re-interpretation of his work through the lenses of thinkers as varied as Frederic Jameson, Jacques Derrida, Michel Foucault, Soren Kierkegaard, and legal theorist Carl Schmitt, not to mention film scholars like Tom Gunning, Linda Ruth Williams, Michel Chion, and Robin Wood. Skillfully written and exhaustively researched, the book is essential reading for anyone who wants to understand the American cinema and the American film industry in the last three decades of the twentieth century.– Dr David Cook, UNC Greensboro
This is a closely reasoned argument for William Friedkin as a filmmaker of transcendent faith and existential authenticity. It provides a sophisticated re-interpretation of his work through the lenses of thinkers as varied as Frederic Jameson, Jacques Derrida, Michel Foucault, Soren Kierkegaard, and legal theorist Carl Schmitt, not to mention film scholars like Tom Gunning, Linda Ruth Williams, Michel Chion, and Robin Wood. Skillfully written and exhaustively researched, the book is essential reading for anyone who wants to understand the American cinema and the American film industry in the last three decades of the twentieth century.– Dr David Cook, UNC Greensboro
See the publisher website: Edinburgh University Press
See the complete filmography of William Friedkin on the website: IMDB ...
> From the same author:
Afterlives (2016)
Allegories of Film and Mortality in Early Weimar Germany
by Steve Choe
Subject: Silent Cinema
> On a related topic:
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Male Desire in Hitchcock, De Palma, Scorsese, and Friedkin
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Subject: Sociology
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