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Cinema Her Way:Visionary Female Directors in Their Own Words

Cinema Her Way (2025)

Visionary Female Directors in Their Own Words

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Sujet : Director

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Cahiers du Cinema:Interviews with film directors 1953-1970

Cahiers du Cinema (2023)

Interviews with film directors 1953-1970

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Sujet : Director

Su Friedrich:Interviews

Su Friedrich (2022)

Interviews

Dir. Sonia Misra et Rox Samer

Sujet : Director > Su Friedrich

John Cassavetes

Interviews

Sous la direction de Gabriella Oldham

Type
Interviews
Sujet
DirectorJohn Cassavetes
Mots Clés
John Cassavetes, director, interviews
Année d'édition
2018
Editeur
University Press of Mississippi
Collection
Conversations with Filmmakers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 188 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-4968-1827-0
Appréciation
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Description de l'ouvrage:
American filmmaker John Cassavetes (1929-1989) made only nine independent films during a quarter century, but those films affected the cinema culture of the 1960s to the 1980s in unprecedented ways. With a close nucleus of actors and crew members on his team, including his wife Gena Rowlands, Peter Falk, and Ben Gazzara, Cassavetes created films that explored the gritty side of human relationships. He staunchly advocated the right of actors and filmmakers to full artistic freedom over their work. Attracting both fervent admirers and harsh critics, Cassavetes's films have garnered prestigious awards in the US and Europe and continue to evoke strong reactions.

Starting in New York with his first film Shadows (1959), Cassavetes moved on to the West Coast with Faces (1968), Husbands (1970), Minnie and Moskowitz (1971), A Woman Under the Influence (1974), The Killing of a Chinese Bookie (1976), Opening Night (1977), Gloria (1980), and Love Streams (1984). He also directed several studio films, which often rankled his independent streak that rebelled against a loss of artistic freedom. Cassavetes's work in the theater and his performances in numerous television programs and films, including The Dirty Dozen (1967) and Rosemary's Baby (1968), made him, as a director, fiercely protective of his actors' right to self-expression.

Cassavetes's contributions to film as actor, writer, director, producer, and cinematographer at a time of radical changes in cinema history continue to inspire independent filmmakers to challenge creative restrictions and celebrate actors' artistic contributions. John Cassavetes: Interviews captures this "maverick" streak of an intensely personal filmmaker who was passionate about his art.

Voir le site internet de l'éditeur University Press of Mississippi

Voir la filmographie complète de John Cassavetes sur le site IMDB ...

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