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Film Theory

Critical Concepts in Media and Cultural Studies

Sous la direction de Philip Simpson, Andrew Utterson et K. J. Shepherdson

Type
Encyclopedias
Sujet
Theory
Mots Clés
theory
Année d'édition
2003
Editeur
Routledge
Collection
Critical Concepts in Media and Cultural Studies
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Hardcover • 1552 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-415-25971-1
978-0-415-25971-2
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Description de l'ouvrage:
This major new collection:

identifies the critical and theoretical concepts which have been most significant in the study of film
presents chronologically the most influential and important writing on these concepts
provides an historical and intellectual context for the material presented.

New introductions by the editors guide the reader through the work, and make this an essential source of ideas and insights for students and researchers in the field of Film Studies.

Voir le site internet de l'éditeur Routledge

> Livres ayant un titre identique ou proche :

Film Theory:The Basics

Film Theory (2022)

The Basics

de Kevin McDonald

Sujet : Theory

Film Theory:An Introduction through the Senses

Film Theory (2015)

An Introduction through the Senses

de Thomas Elsaesser et Malte Hagener

Sujet : Theory

Film Theory:Creating a Cinematic Grammar

Film Theory (2014)

Creating a Cinematic Grammar

de Felicity Colman

Sujet : Theory

Film Theory:Rational Reconstructions

Film Theory (2012)

Rational Reconstructions

de Warren Buckland

Sujet : Theory

Film Theory:An Introduction

Film Theory (2006)

An Introduction

de Robert Lapsley et Michael Westlake

Sujet : Theory

> Des mêmes auteurs :

Persistent Images:Encountering Film History in Contemporary Cinema

Persistent Images (2020)

Encountering Film History in Contemporary Cinema

de Andrew Utterson

Sujet : General

Psycho Paths:Tracking the Serial Killer Through Contemporary American Film and Fiction

Psycho Paths (2000)

Tracking the Serial Killer Through Contemporary American Film and Fiction

de Philip Simpson

Sujet : On Films > Characters

> Sur un thème proche :

Film, Negation and Freedom:Capitalism and Romantic Critique

Film, Negation and Freedom (2025)

Capitalism and Romantic Critique

de Will Kitchen

Sujet : Theory

Contemporary Screen Ethics:Absences, Identities, Belonging, Looking Anew

Contemporary Screen Ethics (2025)

Absences, Identities, Belonging, Looking Anew

Dir. Lucy Bolton, David Martin-Jones et Robert Sinnerbrink

Sujet : Theory

Haunting the World:Essays on Film After Perkins and Cavell

Haunting the World (2025)

Essays on Film After Perkins and Cavell

de Dominic Lash

Sujet : Theory

Cinecepts, Deleuze, and Godard-Miéville:Developing Philosophy through Audiovisual Media

Cinecepts, Deleuze, and Godard-Miéville (2025)

Developing Philosophy through Audiovisual Media

de Jakob A. Nilsson

Sujet : Theory

Cinematic Intermediality:Theory and Practice

Cinematic Intermediality (2025)

Theory and Practice

Dir. Kim Knowles et Marion Schmid

Sujet : Theory

Towards a Film Theory from Below:Archival Film and the Aesthetics of the Crack-Up

Towards a Film Theory from Below (2025)

Archival Film and the Aesthetics of the Crack-Up

de Jiri Anger

Sujet : Theory

The Attractions of the Moving Image:Essays on History, Theory, and the Avant-Garde

The Attractions of the Moving Image (2025)

Essays on History, Theory, and the Avant-Garde

de Tom Gunning

Sujet : Theory

Film Figures:An Organological Approach

Film Figures (2025)

An Organological Approach

de Warwick Mules

Sujet : Theory

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