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Color, The Film Reader

Edited by Angela Dalle Vacche and Brian Price

Type
Studies
Subject
TechniqueAesthetics
Keywords
color
Publishing date
2006
Publisher
Routledge
Collection
In Focus: Routledge Film Readers
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 230 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN-10
ISBN-13
0-415-32442-4
978-0-415-32442-7
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Book Presentation:
This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the book addresses key issues in the field including:


the development of colour technology
how visual stule was affected by the shift from black and white to colour
colour in film theory and the writings of authors such as Bresson, Eisenstein and Oshima
colour in the films of Godard, Hitchcock, Almodovar and many more.

Including case studies too, this is the perfect introductory guide to a key element in film form and theory. A must for any student starting a film studies course.

Press Reviews:
'[This book] remains an important stepping-stone in film studies... [and] can be considered an accomplishment'. - Film International

See the publisher website: Routledge

> From the same authors:

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André Bazin's Film Theory:Art, Science, Religion

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The Body in the Mirror:Shapes of History in Italian Cinema

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Subject: Countries > Italy

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Diva:Defiance and Passion in Early Italian Cinema

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Defiance and Passion in Early Italian Cinema

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Cinema and Painting:How Art Is Used in Film

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Subject: Technique > Aesthetics

> On a related topic:

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Chromatic Embodiment in Film Culture, 1950s-1960s

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Subject: Technique > Aesthetics

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Subject: Technique > Aesthetics

Color Mania:The Material of Color in Photography and Film

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Subject: Technique > Aesthetics

Color Grading 101:Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists

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by Charles Haine

Subject: Technique > Aesthetics

Vision:Colour and Composition for Film

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Colour and Composition for Film

by Hans P. Bacher and Sanatan Suryavanshi

Subject: Technique > Aesthetics

Color and Empathy:Essays on Two Aspects of Film

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Essays on Two Aspects of Film

by Christine Brinckmann

Subject: Technique > Aesthetics

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