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The Persistence of Whiteness

Race and Contemporary Hollywood Cinema

Edited by Daniel Bernardi

Type
Studies
Subject
Sociology
Keywords
racial issues, american cinema
Publishing date
2007
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 416 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-415-77413-0
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Book Presentation:
The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema. Ideologies of class, ethnicity, gender, nation and sexuality are central concerns as are the growth of the business of filmmaking. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles.

Bringing together essays from respected film scholars, the collection covers a wide range of important films, including Guess Who’s Coming to Dinner, The Color Purple, Star Wars and The Lord of the Rings. Essays also consider genres from the western to blaxploitation and new black cinema; provocative filmmakers such as Melvin Van Peebles and Steven Spielberg and stars including Whoopi Goldberg and Jennifer Lopez.

Daniel Bernardi provides an in-depth introduction, comprehensive bibliography and a helpful glossary of terms, thus providing students with an accessible and topical collection on race and ethnicity in contemporary cinema.

About the Author:
Daniel Bernardi is an Associate Professor in the Department of Transborder Chicana/o and Latina/o Studies at Arizona State University. He is the author of Star Trek and History: Race-ing Toward a White Future (1998) and the editor of The Birth of Whiteness: Race and the Emergence of US Cinema (1996) and Classic Hollywood, Classic Whiteness (2002).

See the publisher website: Routledge

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