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Cinematic Geopolitics

by Michael J. Shapiro

Type
Studies
Subject
Theory
Keywords
philosophy, politics
Publishing date
2008
Publisher
Routledge
Collection
Global Horizons
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 192 pages
6 ¾ x 9 ½ inches (17 x 24 cm)
ISBN
978-0-415-77636-3
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Book Presentation:
In recent years, film has been one of the major genres within which the imaginaries involved in mapping the geopolitical world have been represented and reflected upon.

In this book, one of America's foremost theorists of culture and politics treats those aspects of the "geopolitical aesthetic" that must be addressed in light of both the post cold war and post 9/11 world and contemporary film theory and philosophy. Beginning with an account of his experience as a juror at film festival’s, Michael J. Shapiro’s Cinematic Geopolitics analyzes the ways in which film festival space and both feature and documentary films function as counter-spaces to the contemporary "violent cartography" occasioned by governmental policy, especially the current "war on terror."

Influenced by the cinema-philosophy relationship developed by Gilles Deleuze and the politics of aesthetics thinking of Jacques Ranciere, the book’s chapters examines a range of films from established classics like the Deer Hunter and the Battle of Algiers to contemporary films such as Dirty Pretty Things and the Fog of War. Shapiro’s use of philosophical and theoretical works makes this cutting edge examination of film and politics essential reading for all students and scholars with an interest in film and politics.

About the Author:
Michael J. Shapiro is a Professor in the Department of Political Science, University of Hawaii at Manoa, USA. His research and teaching are in the areas of political theory, global politics and cultural studies. Among his publications are: Methods and Nations: Cultural Governance and the Indigenous Subject (Routledge, 2004) and Deforming American Political Thought: Ethnicity, Facticity and Genre (University Press of Kentucky, 2006).

Press Reviews:
'Cinematic Geopolitics offers an engaging theoretical, political and historical discussion of how film is enabling a "re-mapping of the world" through the body and technology.' - Brian Faucette, Scope: An Online Journal of Film and Television Studies, October 2011

See the publisher website: Routledge

> From the same author:

The Cinematic Political:Film Composition as Political Theory

The Cinematic Political (2019)

Film Composition as Political Theory

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Deforming American Political Thought:Challenging the Jeffersonian Legacy

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Challenging the Jeffersonian Legacy

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Cinematic Political Thought:Narrating Race, Nation and Gender

Cinematic Political Thought (1999)

Narrating Race, Nation and Gender

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