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J. Arthur Rank and the British Film Industry

  • Cover of the book J. Arthur Rank and the British Film Industry - by Geoffrey Macnab
  • Cover of the book J. Arthur Rank and the British Film Industry - by Geoffrey Macnab
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by Geoffrey Macnab

Type
Studies
Subject
CountriesGreat Britain
Keywords
Great Britain, production, Studio, economics
Publishing date
1994
1st publishing
1993
Publisher
Routledge
Collection
Cinema and Society
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 324 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN-10
ISBN-13
0-415-11711-9
978-0-415-11711-1
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Book Presentation:
Presiding over the "golden era" of the British Film Industry from the mid to late 1940s, J. Arthur Rank financed movies such as Oliver Twist, The Red Shoes, Brief Encounter, Caesar and Cleopatra and Black Narcissus. Never before, and never since, has the industry risen to such heights.
J. Arthur Rank charts every aspect of the robust film culture that Rank helped to create. Having started out with relatively little knowledge of the cinema, Rank's sponsorship was to bring about astounding progress within the industry, and by establishing an organization comparable in size to any of the major Hollywood studios, Rank briefly managed to reconcile and consolidate the competing demands of "art" and "business" - an achievement very much absent from today's diminished and fragmented film industry.
Macnab goes on to explain the eventual collapse of the Rank experiment amidst the economic and political maelstrom of post-war Britain, highlighting the problems still facing the industry today. By meshing archival research with interviews with Rank's contemporaries and members of his family, this definitive study firmly restores Rank to his rightful place at the hub of British film history.

Press Reviews:
`J. Arthur Rank and the British Film Industry I will prove an invaluable source of reference for budding entrepreneurs and tycoons...an excellent portrait of a most unusual man.' - Moira Shearer, Sunday Telegraph

`His informative, often witty book illuminates an era and, for its contribution to an understanding of British filmmaking, belongs on the shelf beside Jake Eberts' My Indecision is Final.' - Philip French, The Observer

Nominated for the British Film Institute's Michael Powell Award

See the publisher website: Routledge

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