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The Scene of the Mass Crime

History, Film, and International Tribunals

Edited by Christian Delage and Peter Goodrich

Type
Studies
Subject
GenreThriller
Keywords
crime films, justice
Publishing date
2012
Publisher
Routledge
Collection
Discourses of Law
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 248 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-0-415-68895-6
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Book Presentation:
The Scene of the Mass Crime takes up the unwritten history of the peculiar yet highly visible form of war crimes trials. These trials are the first and continuing site of the interface of law, history and film. From Nuremberg to the contemporary trials in Cambodia, film, in particular, has been crucial both as evidence of atrocity and as the means of publicizing the proceedings. But what does film bring to justice? Can law successfully address war crimes, atrocities, genocide? What do the trials actually show? What form of justice is done, and how does it relate to ordinary courts and proceedings? What lessons can be drawn from this history for the very topical political issue of filming civil and criminal trials? This book takes up the diversity and complexity of these idiosyncratic and, in strict terms, generally extra-legal medial situations. Drawing on a fascinating diversity of public trials and filmic responses, from the Trial of the Gang of Four to the Gacaca local courts of Rwanda to the filmic symbolism of 9-11, from Soviet era show trials to Nazi People's Courts leading international scholars address the theatrical, political, filmic and symbolic importance of show trials in making history, legitimating regimes and, most surprising of all, in attempting to heal trauma through law and through film. These essays will be of considerable interest to those working on international criminal law, transitional justice, genocide studies, and the relationship between law and film.

About the authors:
Peter Goodrich is Professor of Law and Director of the Program in Law and Humanities, Cardozo School of Law, New York. He has authored ten books on legal theory, psychoanalysis, law and the visual. Christian Delage is a professor at the University of Paris 8. He also teaches at the École des hautes études en sciences sociales and at Sciences Po Paris, and is a regular professor at the Benjamin N. Cardozo School of Law.

See the publisher website: Routledge

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