Mulholland Drive

Add to my list

Edited by Zina Giannopoulou

Type: Studies
Subject: One Film > Mulholland Dr.
Keywords: David Lynch, philosophy
Publishing date: 2013
Publisher: Routledge
Collection: Philosophers on Film
Language: English

Relative size

Physical desc.

Paperback • 136 pages
6 x 9 ½ inches (15.5 x 24 cm)

ISBN

978-0-415-82466-8

User Ratings

(0 vote)

Average rating:

0	rating	= We can do without
0	rating	= Good book
0	rating	= Excellent book
0	rating	= Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
Beloved by film and art aficionados and fans of neo-noir cinema, Mulholland Drive is one of the most important and enigmatic films of recent years. It occupies a central and controversial position in the work of its director, David Lynch, who won the best director award at the 2001 Cannes Film Festival for the movie.

Mulholland Drive in the Routledge Philosophers on Film series is the first full philosophical appraisal of Lynch's film. Beginning with an introduction by the editor, the volume explores the following topics:

the identity of the self and its persistence through time
the central, dual roles played by fantasy and reality throughout the film
whether Mulholland Drive is best understood epistemologically via reason and language, or whether, as Lynch himself argues, by one's 'inner feelings' and emotions
parallels between Mulholland Drive and Kafka's The Castle, both of which pit their protagonists at the mercy of unseen forces
Mulholland Drive and romanticism.

Additional key themes are also discussed, such as the interpenetration of ethics, classical tragedy, and the contrasting philosophical arguments of Plato and Nietzsche on tragic drama. These themes make Mulholland Drive essential and engaging reading for students of philosophy, especially aesthetics and ethics, as well as film studies.

About the Author:
Zina Giannopoulou is Associate Professor of Classics at the University of California, Irvine, USA. She is the author of Plato’s Theaetetus as a Second Apology (2013).

Press Reviews:
"The philosophers writing here know Mulholland Drive in consummate detail. Their engaging chapters focus on the key philosophical questions - of identity, freedom and cinematic romanticism - raised by Lynch’s hypnotic and ambiguous work. An excellent addition to an already fine series, this book is sure to interest philosophers of film, Lynch fans, and anyone who follows film art." - Deborah Knight, Queen’s University, Canada

"This fascinating collection brings the best sort of philosophically and theoretically informed speculation to bear on Lynch’s dazzling, disturbing, and profoundly rewarding masterpiece. The essays do not attempt to solve the many riddles of Mulholland Drive but allow Lynch’s finest film to shine forth in all its beauty, mystery, and monstrosity." - Calvin Thomas, Georgia State University, USA

See the publisher website: Routledge

See Mulholland Dr. (2001) on IMDB ...

> On a related topic: