Science Fiction Film, Television, and Adaptation
Across the Screens
Edited by J. P. Telotte and Gerald Duchovnay
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While film and television seem to be closely allied screen media, our feature films and television series have seldom been successfully adapted across those screens. In fact, rather than functioning as portals, those allied media often seem, quite literally, screens that filter out something that made the source work so popular in its original form. Differences in budget, running times, cast, viewing habits, screen size and shape all come into play, and this volume’s aim is to track a number of popular texts in the course of their adaptive journeys across the screens in order to sketch the workings of that cross-media adaptation. For its specific examples, the volume draws on a single genre—science fiction—not only because it is one of the most popular today in either film or television, but also because it is arguably the most self-conscious of contemporary genres, and thus one that most obviously frames the terms of these technological adaptations. The essays included here mine that reflexive character, in both highly successful and in failed efforts at cross-media adaption, to help us understand what film and television achieve in screening science fiction, and to reveal some of the key issues involved in all of our efforts to navigate the various screens that have become part of contemporary culture.
About the authors:
J. P. Telotte is a professor of literature, communication, and culture at Georgia Tech. Co-editor of the journal Post Script, he has published widely on film and television studies. His most recent books are The Mouse Machine: Disney and Technology, The Essential Science Fiction Television Reader, and Animating Space.
Gerald Duchovnay is professor of English and film at Texas A&M University-Commerce.
See the publisher website: Routledge
> From the same authors:
The Oxford Handbook of New Science Fiction Cinemas (2023)
Subject: Genre > Science Fiction
Movies, Modernism, and the Science Fiction Pulps (2019)
Subject: Genre > Science Fiction
Voices in the Dark (1988)
The Narrative Patterns of Film Noir
> On a related topic:
Hollywood Presents Jules Verne (2015)
The Father of Science Fiction on Screen
by Brian Taves
Subject: Genre > Science Fiction
The Fantastic Made Visible (2015)
Essays on the Adaptation of Science Fiction and Fantasy from Page to Screen
Dir. Matthew Wilhelm Kapell and Ace G. Pilkington
The Spice Must Flow (2023)
The Story of Dune, from Cult Novels to Visionary Sci-Fi Movies
by Ryan Britt
Subject: One Film > Dune (Villeneuve), Dune (Lynch)
The Future Was Now (2025)
Madmen, Mavericks, and the Epic Sci-Fi Summer of 1982
Subject: Genre > Science Fiction
Amazing Worlds of Science Fiction and Science Fact (2025)
by Keith Cooper
Subject: Genre > Science Fiction
The Science Fiction Film in Contemporary Hollywood (2025)
A Social Semiotics of Bodies and Worlds
Subject: Genre > Science Fiction
Feminist Posthumanism in Contemporary Science Fiction Film and Media (2025)
From Annihilation to High Life and Beyond
Dir. Julia A. Empey
Subject: Genre > Science Fiction