Books in French are on www.livres-cinema.info
MENU   

Women's New Cinema in Contemporary Turkey

As If We Were Free, As If a Beautiful Life Were Possible

by Pınar Fontini

Type
Studies
Subject
CountriesMiddle East
Keywords
Turkey, women, Middle East
Publishing date
2025 (April 30, 2025) (Upcoming)
Publisher
Edinburgh University Press
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Hardcover • 168 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-3995-3849-7
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
For the first time in the history of cinema, Turkey witnesses a generation of female directors who occupy their own space within the New Cinema Movement. They claim an authority of their own and create a distinct cinema. However, recent scholarship on the cinema of Turkey predominantly conceptualises contemporary cinema in relation to the patriarchal discourse of male auteurs and recognises its female directors in a tokenistic manner. This book is the first academic work recognising this historical moment - the flourish of a women’s cinema in Turkey which disrupts the dominant discourses and brings another view to look at the post-millennial cinema. This study identifies the new production methodologies used by the contemporary female directors from Turkey in relation to socio-political and cultural dynamics and conceptualises these features under the term, ‘Women’s New Cinema’. It also undertakes feminist textual exegesis of selected case studies in these directors’ work.

About the Author:
Pınar Fontini is a creative screen practitioner-researcher who lectures in the school of Media and Communication, RMIT University. She works at the intersection of Middle Eastern Cinema and Feminist Film Studies. She is the editor, producer and director of the award-winning documentaries, Dream Workers (2021) and What’s the Name of the Film? (2022). Her articles have been published by prominent film journals Feminist Media Studies, Camera Obscura, Feminist Review and Senses of Cinema.

Press Reviews:
This beautiful and visionary book offers vital new research on the work of contemporary women filmmakers in Turkey. Pinar Fontini, herself a filmmaker as well as scholar and critic, offers a feminist approach which looks towards radical possibility. The heartfelt attention given to the stories of the films and the memories they hold, and to the voices of their creators, allows this also to be a work of advocacy. ― Emma Wilson, University of Cambridge

See the publisher website: Edinburgh University Press

> On a related topic:

Women and Turkish Cinema:Gender Politics, Cultural Identity and Representation

Women and Turkish Cinema (2014)

Gender Politics, Cultural Identity and Representation

by Eylem Atakav

Subject: Countries > Middle East

Cinema in Turkey:A New Critical History

Cinema in Turkey (2010)

A New Critical History

by Savas Arslan

Subject: Countries > Middle East

Turkish Cinema:Identity, Distance and Belonging

Turkish Cinema (2008)

Identity, Distance and Belonging

by Gönül Dönmez-Colin

Subject: Countries > Middle East

Negotiating Dissidence:The Pioneering Women of Arab Documentary

Negotiating Dissidence (2017)

The Pioneering Women of Arab Documentary

by Stefanie Van de Peer

Subject: Countries > Middle East

Arab, Muslim, Woman:Voice and Vision in Postcolonial Literature and Film

Arab, Muslim, Woman (2014)

Voice and Vision in Postcolonial Literature and Film

by Lindsey Moore

Subject: Sociology

An Atonal Cinema:Resistance, Counterpoint and Dialogue in Transnational Palestine

An Atonal Cinema (2025)

Resistance, Counterpoint and Dialogue in Transnational Palestine

by Robert G. White

Subject: Countries > Middle East

11857 books listed   •   (c)2024-2025 cinemabooks.info   •