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Film and Politics in America

A Social Tradition

by Brian Neve

Type
Studies
Subject
Sociology
Keywords
politics
Publishing date
2015
1st publishing
1992
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 300 pages
6 x 9 ½ inches (15.5 x 24 cm)
ISBN
978-1-138-16925-8
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Book Presentation:
In A Social Cinema: Film-making and Politics in America, Brian Neve presents a study of the social and political nature of American film by concentrating on a generation of writers from the thirties who directed films in Hollywood in the 1940's. He discusses how they negotiated their roles in relation to the studio system, itself undergoing change, and to what extent their experience in the political and theatre movements of thirties New York was to be reflected in their later films.
Focusing in particular on Orson Welles, Elia Kazan, Jules Dassin, Abraham Polonsky, Nicholas Ray, Robert Rossen and Joseph Losey, Neve relates the work of these writers and directors to the broader industrial, bureaucratic, social and political developments of the period 1935-1970. With special emphasis on the post-war decade, bringing together archive and secondary sources, Neve explores a lost tradition of social fimmaking in America.

See the publisher website: Routledge

> From the same author:

The Many Lives of Cy Endfield:Film Noir, the Blacklist, and Zulu

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Film Noir, the Blacklist, and Zulu

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'Un-American' Hollywood:Politics and Film in the Blacklist Era

'Un-American' Hollywood (2007)

Politics and Film in the Blacklist Era

by Frank Krutnik, Steve Neale, Brian Neve and Peter Stanfield

Subject: History of Cinema

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