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Women and Film in Italy: Seminar on Italian and American directions
Edited by Giuliana Bruno and Maria Nadotti
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Book Presentation:
This feminist anthology from Italy offers an enriching perspective on cinema studies. Focusing on women’s engagement with political theory and film-making, the book never loses sight of the female experience of cinema. It examines how women have chosen to represent themselves and how they have been represented, and how they deal with the cinematic apparatus, as subjects of production, objects of representation, and spectators. A variety of approaches are offered, ranging from psychoanalysis and semiology to history. With an exhaustive filmography, this anthology of chapters by eminent theorists demonstrates the central importance of recent developments in Italy for the whole spectrum of film and feminist studies.
See the publisher website: Routledge
> From the same authors:
Streetwalking on a Ruined Map (1992)
Cultural Theory and the City Films of Elvira Notari
Subject: Director > Elvira Notari
> On a related topic:
Women and Migration in Contemporary Italian Cinema (2023)
Screening Hospitality
Wandering Women (2022)
Urban Ecologies of Italian Feminist Filmmaking
Women, Feminism and Italian Cinema (2021)
Archives from a Film Culture
The Celluloid Atlantic (2025)
Hollywood, Cinecittà, and the Making of the Cinema of the West, 1943–1973
Fame Amid the Ruins (2025)
Italian Film Stardom in the Age of Neorealism
Traveling Auteurs (2024)
The Geopolitics of Postwar Italian Cinema
Darkening the Italian Screen II (2023)
Interviews with Genre and Exploitation Directors Who Debuted in the 1970s
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