Cine-Ethics
Ethical Dimensions of Film Theory, Practice, and Spectatorship
Edited by Jinhee Choi and Mattias Frey
Average rating:
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
0 | rating | ![]() |
Your rating: -
Book Presentation:
This volume looks at the significance and range of ethical questions that pertain to various film practices. Diverse philosophical traditions provide useful frameworks to discuss spectators’ affective and emotional engagement with film, which can function as a moral ground for one’s connection to others and to the world outside the self. These traditions encompass theories of emotion, phenomenology, the philosophy of compassion, and analytic and continental ethical thinking and environmental ethics. This anthology is one of the first volumes to open up a dialogue among these diverse methodologies. Contributors bring to the fore some of the assumptions implicitly shared between these theories and forge a new relationship between them in order to explore the moral engagement of the spectator and the ethical consequences of both producing and consuming films
About the authors:
Jinhee Choi is Senior Lecturer in Film Studies at King's College London, UK. Mattias Frey is Senior Lecturer in Film Studies at the University of Kent, UK.
Press Reviews:
"Recommended. Lower-division undergraduates and above" - CHOICE
See the publisher website: Routledge
> From the same authors:
Netflix Recommends (2021)
Algorithms, Film Choice, and the History of Taste
by Mattias Frey
Subject: Economics
The Permanent Crisis of Film Criticism (2015)
The Anxiety of Authority
by Mattias Frey
Subject: Film Analysis
Horror to the Extreme (2009)
Changing Boundaries in Asian Cinema
Dir. Jinhee Choi and Mitsuyo Wada-Marciano
> On a related topic:
European Cinema and Continental Philosophy (2018)
Film As Thought Experiment
Think/Point/Shoot (2016)
Media Ethics, Technology and Global Change
Dir. Annette Danto, Mobina Hashmi and Lonnie Isabel
Subject: General