Masculinity in the Contemporary Romantic Comedy
Gender as Genre
by John Alberti
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Book Presentation:
This volume addresses the growing obsolescence of traditional constructions of masculine identity in popular romantic comedies by proposing an approach that combines gender and genre theory to examine the ongoing radical reconstruction of gender roles in these films. Alberti creates a unified theory of gender role change in the movies that combines the insights of both poststructuralist gender and narrative genre theory, avoiding binary approaches to the study of gender representation. He establishes the current "crises" in both gender representation and genre development within romantic comedies as examples of experimentation and change towards narratives that feature more egalitarian and less essentialist constructions of gender.
About the Author:
John Alberti is Professor of English and Director of Cinema Studies at Northern Kentucky University, USA.
See the publisher website: Routledge
> From the same author:
Transforming Harry (2018)
The Adaptation of Harry Potter in the Transmedia Age
Dir. John Alberti and P. Andrew Miller
Subject: One Film > Harry Potter
> On a related topic:
Falling in Love at the Movies (2024)
Rom-Coms from the Screwball Era to Today
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Guilty Pleasures (2023)
European Audiences and Contemporary Hollywood Romantic Comedy
Subject: Genre > Romantic films
From Hollywood with Love (2022)
The Rise and Fall (and Rise Again) of the Romantic Comedy
by Scott Meslow
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Genre, Gender and the Effects of Neoliberalism (2015)
The New Millennium Hollywood Rom Com
Subject: Genre > Romantic films
After "Happily Ever After" (2021)
Romantic Comedy in the Post-Romantic Age
Dir. Maria San Filippo
Subject: Genre > Comedy/Humor