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Popular Cinema and Politics in South India
The Films of MGR and Rajinikanth
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Description de l'ouvrage:
This work breaks new ground in the understanding of South Indian cinema and politics. Through incisive analysis and original concepts it illustrates the private, public and cinematic personas of MGR and Rajinikanth. It challenges the popular and scholarly myths surrounding them and shows the constant negotiation of their on-screen and off-screen identities. The book revisits the entire political history of post-Independent Tamil Nadu through its cinema,and presents a refreshing psycho-political and cultural map of contemporary South India.
This absorbing volume will be an important read for scholars, teachers and students of film studies, culture and media studies, and politics, especially those interested in South India.
À propos de l'auteur :
S. Rajanayagam is Director, People Studies, Chennai; and Associate Professor, Department of Visual Communication, Loyola College, Chennai.
Revue de Presse:
The cinema–politics nexus is a powerful narrative that animates the political and cultural landscape of the Indian state of Tamil Nadu. In this thoughtprovoking book, Rajanayagam deconstructs this natural symbiosis . . . to reveal a more complex and rich reading of the transition from the screen to politics.
— Selvaraj Velayutham, Macquarie University
Rajanayagam provides a penetrating and unprecedented insight into the political commentary of two of India's leading film stars. A must read for anyone interested in their work, or the connection between film and politics.
— Richard C. Reuben, University of Missouri School of Law
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
Contemporary Marathi Cinema (2024)
Space, Marginality, and Aspiration
Tamil Cinema in the Twenty-First Century (2022)
Caste, Gender and Technology
Dir. Selvaraj Velayutham et Vijay Devadas
Marathi Cinema, Cultural Space, and Liminality (2022)
A History
Provincializing Bollywood (2021)
Bhojpuri Cinema in the Comparative Media Crucible
Premchand in World Languages (2016)
Translation, reception and cinematic representations
Dir. M. Asaduddin
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