The Woman's Film of the 1940s
Gender, Narrative, and History
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Description de l'ouvrage:
This book explores the relationship among gender, desire, and narrative in 1940s woman’s films which negotiate the terrain between public history and private experience. The woman’s film and other form of cinematic melodrama have often been understood as positioning themselves outside history, and this book challenges and modifies that understanding, contextualizing the films it considers against the backdrop of World War II. In addition, in paying tribute to and departing from earlier feminist formulations about gendered spectatorship in cinema, McKee argues that such models emphasized a masculine-centered gaze at the inadvertent expense of understanding other possible modes of identification and gender expression in classical narrative cinema. She proposes ways of understanding gender and narrative based in part on literary narrative theory and ultimately works toward a notion of an androgynous spectatorship and mode of interpretation in the 1940s woman’s film.
À propos de l'auteur :
Alison L. McKee is an Associate Professor in the Department of Television, Radio, Film, and Theatre at San Jose State University, US
Revue de Presse:
"The Woman’s Film of the 1940s provides a welcome focus on images of women in crisis in a key period in social history " - Sue Harper, University of Portsmouth, UK
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
What Dreams Were Made Of (2011)
Movie Stars of the 1940s
Dir. Sean Griffin
Sujet : On Films > Per period
Best Years (2009)
Going to the Movies, 1945-1946
de Charles Affron et Mirella Jona Affron
Sujet : On Films > Per period
We'll Always Have the Movies (2006)
American Cinema During World War II
de Robert L. McLaughlin et Sally E. Parry
Sujet : On Films > Per period