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The Collapse of the Conventional:German Film and Its Politics at the Turn of the Twenty-First Century

The Collapse of the Conventional (2010)

German Film and Its Politics at the Turn of the Twenty-First Century

Dir. Brad Prager et Jaimey Fisher

Sujet : Countries > Germany

Charting Asian German Film History:Imagination, Collaboration, and Diasporic Representation

Charting Asian German Film History (2025)

Imagination, Collaboration, and Diasporic Representation

Dir. Qinna Qinna Shen, Zach Ramon Fitzpatrick et Qingyang Freya Zhou

Sujet : Countries > Germany

Documenting Socialism:East German Documentary Cinema

Documenting Socialism (2024)

East German Documentary Cinema

Dir. Seán Allan et Sebastian Heiduschke

Sujet : Countries > Germany

German Film:From the Archives of the Deutsche Kinemathek

German Film (2024)

From the Archives of the Deutsche Kinemathek

Collectif

Sujet : Countries > Germany

Cinematically Transmitted Disease:Eugenics and Film in Weimar and Nazi Germany

Cinematically Transmitted Disease (2024)

Eugenics and Film in Weimar and Nazi Germany

de Barbara Hales

Sujet : Countries > Germany

Turkish German Cinema in the New Millennium

Sites, Sounds, and Screens

Sous la direction de Sabine Hake et Barbara Mennel

Type
Studies
Sujet
CountriesGermany
Mots Clés
Germany, Turkey, 21st century
Année d'édition
2014
1ere édition
2012
Editeur
Berghahn Books
Collection
Film Europa
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 260 pages
6 x 9 inches (15 x 23 cm)
ISBN
978-1-78238-665-0
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Description de l'ouvrage:
In the last five years of the twentieth century, films by the second and third generation of the so-called German guest workers exploded onto the German film landscape. Self-confident, articulate, and dynamic, these films situate themselves in the global exchange of cinematic images, citing and rewriting American gangster narratives, Kung Fu action films, and paralleling other emergent European minority cinemas. This, the first book-length study on the topic, will function as an introduction to this emergent and growing cinema and offer a survey of important films and directors of the last two decades. In addition, it intervenes in the theoretical debates about Turkish German culture by engaging with different methodological approaches that originate in film studies.

À propos des auteurs :
Sabine Hake is the Texas Chair of German Literature and Culture at the University of Texas at Austin.Barbara Mennel is Associate Professor of German Studies and Film and Media Studies at the University of Florida, Gainesville.

Revue de Presse:
"This collection of essays significantly contributes to reimagining Turkish German cultural productions as part of a larger conversation on world cinema, global, and diaspora studies, without losing sight of the historical and cultural specificity of places and spaces in which culture is produced." · German Studies Review

"With its multiplicity of topics this varied volume contributes much to the promising study of Turkish German cinema, and more general: migrant cinema. [This volume] does not only show how much research there has already been done, but also how much work remains to be done." · Historical Journal of Film, Radio and Television

"[This book] …breaks new ground in film-theoretical approaches to the field and points the way to future avenues of investigation. Particularly refreshing are chapters that take account of how Turkish German film intersects with new forms of spectatorship…in its attention to a variety of media and genres, theoretical frameworks, institutional contexts, and its rare inclusion of perspectives from outside Germany…The volume pushes the boundaries of existing scholarship. More than just a survey, it offers productive models for future studies in the field." · German Quarterly

"This volume presents an impressive array of essays ... which will be essential reading in German and European culture programs, cinema studies, and minority/diasporic culture studies. The collection emphasizes not only the variety of cultural products here summarized under ‘Turkish German cinema,’ ... but also methodological diversity." · Katrin Sieg, Georgetown University

"I believe [this volume] is going to be a genuine contribution to a very lively yet underresearched area of film studies. [It] will serve as a rich model for scholarly study in film departments, as well as appealing to a wide range of readers, particularly inter- and multi- disciplinary minded scholars." · Nezih Erdogan, Izmir University of Economics

Voir le site internet de l'éditeur Berghahn Books

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