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Cinema in Democratizing Germany
Reconstructing National Identity After Hitler
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Description de l'ouvrage:
Heide Fehrenbach analyzes the important role cinema played in the reconstruction of German cultural and political identity between 1945 and 1962. Concentrating on the former West Germany, she explores the complex political uses of film--and the meanings attributed to film representation and spectatorship--during a period of abrupt transition to democracy. According to Fehrenbach, the process of national redefinition made cinema and cinematic control a focus of heated ideological debate. Moving beyond a narrow political examination of Allied-German negotiations, she investigates the broader social nexus of popular moviegoing, public demonstrations, film clubs, and municipal festivals. She also draws on work in gender and film studies to probe the ways filmmakers, students, church leaders, local politicians, and the general public articulated national identity in relation to the challenges posed by military occupation, American commercial culture, and redefined gender roles. Thus highlighting the links between national identity and cultural practice, this book provides a richer picture of what German reconstruction entailed for both women and men.
À propos de l'auteur :
Heide Fehrenbach is assistant professor of history at Colgate University.
Revue de Presse:
"This book is both tightly woven and engagingly written.
"American Historical Review"
A model of how history and film studies can blend together, each informing the other in unexpected ways.
Steven Mintz, "H-Film"
This impressive study . . . will become a standard in the historiography of the postwar era.
Robert G. Moeller, University of California, Irvine
"""This book is both tightly woven and engagingly written.
"American Historical Review""
"A model of how history and film studies can blend together, each informing the other in unexpected ways.
Steven Mintz, "H-Film""
"This impressive study . . . will become a standard in the historiography of the postwar era.
Robert G. Moeller, University of California, Irvine"
Voir le site internet de l'éditeur University of of North Carolina Press
> Sur un thème proche :
Film Societies in Germany and Austria 1910-1933 (2023)
Tracing the Social Life of Cinema
The Nazi Past in Contemporary German Film (2014)
Viewing Experiences of Intimacy and Immersion
de Axel Bangert
Rubble, Ruins and Romanticism (2013)
Visual Style, Narration and Identity in German Post-War Cinema
The Cosmopolitan Screen (2007)
German Cinema and the Global Imaginary, 1945 to the Present
Dir. Stephan K. Schindler et Lutz Koepnick
Heimat - A German Dream (2000)
Regional Loyalties and National Identity in German Culture 1890-1990
Joyless Streets (1989)
Women and Melodramatic Representation in Weimar Germany
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