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Women, Monstrosity and Horror Film
Gynaehorror
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Description de l'ouvrage:
Women occupy a privileged place in horror film. Horror is a space of entertainment and excitement, of terror and dread, and one that relishes the complexities that arise when boundaries – of taste, of bodies, of reason – are blurred and dismantled. It is also a site of expression and exploration that leverages the narrative and aesthetic horrors of the reproductive, the maternal and the sexual to expose the underpinnings of the social, political and philosophical othering of women. This book offers an in-depth analysis of women in horror films through an exploration of ‘gynaehorror’: films concerned with all aspects of female reproductive horror, from reproductive and sexual organs, to virginity, pregnancy, birth, motherhood and finally to menopause. Some of the themes explored include: the intersection of horror, monstrosity and sexual difference; the relationships between normative female (hetero)sexuality and the twin figures of the chaste virgin and the voracious vagina dentata; embodiment and subjectivity in horror films about pregnancy and abortion; reproductive technologies, monstrosity and ‘mad science’; the discursive construction and interrogation of monstrous motherhood; and the relationships between menopause, menstruation, hagsploitation and ‘abject barren’ bodies in horror.
The book not only offers a feminist interrogation of gynaehorror, but also a counter-reading of the gynaehorrific, that both accounts for and opens up new spaces of productive, radical and subversive monstrosity within a mode of representation and expression that has often been accused of being misogynistic. It therefore makes a unique contribution to the study of women in horror film specifically, while also providing new insights in the broader area of popular culture, gender and film philosophy.
À propos de l'auteur :
Erin Harrington is Lecturer in English and Cultural Studies at The University of Canterbury, New Zealand.
Revue de Presse:
"it’s a fascinating and feminist look at gynaehorror, and one that’s highly recommended"
Octavia Cade, Strange Horizons
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
House of Psychotic Women (2024)
Expanded Edition: An Autobiographical Topography of Female Neurosis in Horror and Exploitation Films
New Blood in Contemporary Cinema (2020)
Women Directors and the Poetics of Horror
Attack of the Leading Ladies (2018)
Gender, Sexuality, and Spectatorship in Classic Horror Cinema
Men, Women, and Chain Saws (2015)
Gender in the Modern Horror Film
Grande Dame Guignol Cinema (2009)
A History of Hag Horror from Baby Jane to Mother
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