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Film and Modern American Art
The Dialogue between Cinema and Painting
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Book Presentation:
Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art–film nexus at successive historic moments.
About the Author:
Katherine Manthorne is Professor of Art History at the City University of New York’s Graduate Center, USA.
See the publisher website: Routledge
> On a related topic:
Cinemagritte (2019)
René Magritte Within the Frame of Film History, Theory, and Practice
by Lucy Fischer
Subject: Technique > Aesthetics
Federico Fellini (2013)
Painting in Film, Painting on Film
by Hava Aldouby
Subject: Director > Federico Fellini
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