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Indian Horror Cinema
(En)gendering the Monstrous
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Description de l'ouvrage:
This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam.
The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter.
This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles.
À propos de l'auteur :
Mithuraaj Dhusiya teaches English literature in the Department of English at Hansraj College, University of Delhi, India.
Voir le site internet de l'éditeur Routledge
> Sur un thème proche :
The Horror in Hindi Cinema (2024)
Between the Mythic and the Monstrous
The Revolution of Indian Parallel Cinema in the Global South (1968–1995) (2025)
From Feminism to Iconoclasm
de Omar Ahmed
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra et Dibyakusum Ray
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
Muslim Identity in Hindi Cinema (2025)
Poetics and Politics of Genre and Representation
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