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Sportswomen in Cinema

Film and the Frailty Myth

de Nicholas Chare

Type
Studies
Sujet
Sociology
Mots Clés
women, sports
Année d'édition
2023
1ere édition
2015
Editeur
Bloomsbury Academic
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 258 pages
6 x 9 ¼ inches (15.5 x 23.5 cm)
ISBN
978-1-350-41899-8
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Description de l'ouvrage:
Sportswomen in Cinema considers both documentary and fiction films from a variety of periods and cultures, by directors including Kathryn Bigelow, Gurinder Chadha, Im Soon-rye, George Kukor, Ida Lupino, and Leni Riefenstahl. Drawing from psychoanalytic and phenomenological theories, the book presents a series of landmark close readings of films featuring a variety of different forms of athletic activity, including baseball, basketball, bodybuilding, boxing, climbing, football, rollerderby, surfing, tennis and track and field. In focusing on themes such as gesture, screen space and sound, it moves beyond a purely narrative analysis of sports films. What's more, as well as building on existing scholarship in sports studies to argue that sport should always be conceived of as more than simply competitive, the book also contributes to ongoing efforts in film theory to foster new feminist discourses on sexual difference.
The ideas of thinkers such as Judith Butler, Bracha Ettinger, Griselda Pollock and Michel Serres are employed to explore how films featuring female athletes reflect changing perspectives on femininity and sexuality and also, potentially, contribute to transforming our perceptions about sportswomen and cinema. Sportswomen in Cinema is an important addition to the literature of film studies, gender studies and sports studies.

À propos de l'auteur :
Nicholas Chare is Lecturer in Gender Studies, School of Culture and Communication, University of Melbourne, Australia. Also Visiting Research Fellow in the Centre for Cultural Analysis, Theory and History, University of Leeds. Author of Auschwitz and Afterimages (2011) and a former editor of the journal Parallax.

Voir le site internet de l'éditeur Bloomsbury Academic

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Gesture and Film:Signalling New Critical Perspectives

Gesture and Film (2020)

Signalling New Critical Perspectives

Dir. Nicholas Chare et Liz Watkins

Sujet : Theory

Re-reading the Monstrous-Feminine:Art, Film, Feminism and Psychoanalysis

Re-reading the Monstrous-Feminine (2019)

Art, Film, Feminism and Psychoanalysis

Dir. Nicholas Chare, Jeanette Hoorn et Audrey Yue

Sujet : On Films > Characters

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