Books in French are on www.livres-cinema.info
MENU   

The Unnameable Monster in Literature and Film

by Maria Beville

Type
Studies
Subject
On FilmsCharacters
Keywords
monsters, horror
Publishing date
2019
1st publishing
2013
Publisher
Routledge
Collection
Routledge Interdisciplinary Perspectives on Literature
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 218 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-86798-0
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
This book visits the 'Thing' in its various manifestations as an unnameable monster in literature and film, reinforcing the idea that the very essence of the monster is its excess and its indeterminacy. Tied primarily to the artistic modes of the gothic, science fiction, and horror, the unnameable monster retains a persistent presence in literary forms as a reminder of the sublime object that exceeds our worst fears. Beville examines various representations of this elusive monster and argues that we must looks at the monster, rather than through it, at ourselves. As such, this book responds to the obsessive manner in which the monsters of literature and culture are ‘managed’ in processes of classification and in claims that they serve a social function by embodying all that is horrible in the human imagination. The book primarily considers literature from the Romantic period to the present, and film that leans toward postmodernism. Incorporating disciplines such as cultural theory, film theory, literary criticism, and continental philosophy, it focuses on that most difficult but interesting quality of the monster, its unnameability, in order to transform and accelerate current readings of not only the monsters of literature and film, but also those that are the focus of contemporary theoretical discussion.

About the Author:
Maria Beville is Lecturer in English at the University of Limerick, Mary Immaculate College, Ireland.

See the publisher website: Routledge

> On a related topic:

It's Alive!:The Science of B-Movie Monsters

It's Alive! (2013)

The Science of B-Movie Monsters

by Michael LaBarbera

Subject: On Films > Characters

Where Monsters Walked:California Locations of Science Fiction, Fantasy and Horror Films, 1925–1965

Where Monsters Walked (2018)

California Locations of Science Fiction, Fantasy and Horror Films, 1925–1965

by Gail Orwig and Raymond Orwig

Subject: On Films > Locations

The Politics of Monstrous Figures in Contemporary Cinema:Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World

The Politics of Monstrous Figures in Contemporary Cinema (2025)

Witches, Zombies, and Cyborgs Re-enchanting the Ends of the World

by Francesco Sticchi

Subject: Genre > Horror

Monsters vs. Patriarchy:Toxic Imagination in Global Horror Cinema

Monsters vs. Patriarchy (2025)

Toxic Imagination in Global Horror Cinema

by Patricia Saldarriaga and Emy Manini

Subject: Genre > Horror

The Werewolf Filmography:300+ Movies

The Werewolf Filmography (2023)

300+ Movies

by Bryan Senn

Subject: Genre > Horror

Labors of Fear:The Modern Horror Film Goes to Work

Labors of Fear (2023)

The Modern Horror Film Goes to Work

Dir. Aviva Briefel and Jason Middleton

Subject: Genre > Horror

Cloverfield:Creatures and Catastrophes in Post-9/11 Cinema

Cloverfield (2023)

Creatures and Catastrophes in Post-9/11 Cinema

by Steffen Hantke

Subject: One Film > Cloverfield

11749 books listed   •   (c)2024-2025 cinemabooks.info   •