Les livres en français sont sur www.livres-cinema.info
Film Policy in a Globalised Cultural Economy
Sous la direction de John Hill et Nobuko Kawashima
(0 vote)Moyenne des votes :
| 0 | vote |  = On peut s'en passer |
| 0 | vote |  = Bon livre |
| 0 | vote |  = Excellent livre |
| 0 | vote |  = Unique / une référence |
Votre vote : -
Description de l'ouvrage:
The past two decades have witnessed major changes in film industries worldwide in response to both economic globalisation and technological developments. The dominant position of Hollywood movies in the global film market has remained largely uncontested, but Hollywood itself has become increasingly international in its operations whilst ‘regional’ screen industries such as those in East Asia and in the Indian subcontinent have (re-)emerged and developed new forms of collaboration. The advent of digital technologies has also transformed the content of films and the ways in which they are made and consumed. Such changes, in turn, have posed new economic and cultural challenges for policy-makers around the world and led to a degree of rethinking of how film policy objectives are to be conceived, defined and implemented.
This collection brings together a range of international scholars from the USA, Europe and Asia to consider how film policy has responded to the various economic, technological and political shifts shaping the global film industry; and to identify the many tensions between global and local, economic and cultural, and public and private policy objectives that have been the result of these changes. This book was originally published as a special issue of the International Journal of Cultural Policy.
À propos des auteurs :
John Hill is Professor of Media at Royal Holloway, University of London, UK, and the author or editor of a range of books and journals including British Cinema in the 1980s (1999), Cinema and Northern Ireland (2006) and Ken Loach: The Politics of Film and Television (2011). Nobuko Kawashima is Professor in the Faculty of Economics, Doshisha University, Kyoto, Japan, and Visiting Professor in the Policy Alternatives Research Institute, University of Tokyo, Japan. She is the author of two books on the creative industries (in Japanese 2009, 2013) and co-editor of Global Culture: Media, Arts, Policy, and Globalization (2002).
Voir le site internet de l'éditeur Routledge
> Des mêmes auteurs :
Film in Britain in the New Millennium (2012)
Journal of British Cinema and Television Volume 9, Issue 3
Dir. John Hill et Julian Petley
Sujet : Countries > Great Britain
American Cinema and Hollywood (2000)
Critical Approaches
Dir. John Hill et Pamela Church Gibson
Sujet : History of Cinema
> Sur un thème proche :
Development of the Global Film Industry (2022)
Industrial Competition and Cooperation in the Context of Globalization
Dir. Qiao Li, Yanqiu Guan et Hong Lu
Sujet : Economics
Transnational Korean Cinema (2019)
Cultural Politics, Film Genres, and Digital Technologies
de Dal Yong Jin
Economy, Emotion, and Ethics in Chinese Cinema (2017)
Globalization on Speed
China's Encounter with Global Hollywood (2016)
Cultural Policy and the Film Industry, 1994-2013
de Wendy Su
From Bombay to Bollywood (2013)
The Making of a Global Media Industry
Micro-Budget Methods of Cinematic Storytelling (2025)
A Practical Guide to Making Narrative Media with Minimal Means
de Jake Mahaffy
Sujet : Economics
Retour
