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Industrial Networks and Cinemas of India
Shooting Stars, Shifting Geographies and Multiplying Media
Edited by Monika Mehta and Madhuja Mukherjee
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Book Presentation:
This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media.
The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema.
A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.
About the authors:
Monika Mehta is Associate Professor of English at State University of New York, Binghamton, USA. She is the author of Censorship and Sexuality in Bombay Cinema (2011/ 2012) and has also co-edited Pop Empires: Transnational and Diasporic Flows of Korea and India (2019).
Madhuja Mukherjee is involved with art-practice, curatorial projects, and filmmaking. She is Professor of Film Studies at Jadavpur University, Kolkata, India. Her research papers have been published in academic journals; she is the author of New Theatres Ltd.: The Emblem of Art, The Picture of Success (Pune: 2009), editor of Aural Films, Oral Cultures: Essays on Cinema from the Early Sound Era (Kolkata: 2012), Voices of the Talking Stars: The Women of Indian Cinema and Beyond (Kolkata/ Delhi: 2017), and Popular Cinema in Bengal: Genre, Stars, Public Cultures (London / New York: 2020).
See the publisher website: Routledge
> From the same authors:
Popular Cinema in Bengal (2024)
Genre, Stars, Public Cultures
Dir. Madhuja Mukherjee and Kaustav Bakshi
> On a related topic:
Project Cinema City (2013)
Dir. Madhusree Dutta, Bhaumik Kaushik and Rohan Shivkumar
From Bombay to Bollywood (2013)
The Making of a Global Media Industry
Cinema and the Indian National Emergency (2025)
Histories and Afterlives
Dir. Parichay Patra and Dibyakusum Ray
A History of India's North-East Cinema (2025)
Deconstructing the Stereotypes
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