Books in French are on www.livres-cinema.info
MENU   

Understanding Bollywood

The Grammar of Hindi Cinema

by Ulka Anjaria

Type
Studies
Subject
CountriesIndia
Keywords
Hindi cinema, India, analysis
Publishing date
2021
Publisher
Routledge
Language
English
Size of a pocketbookRelative size of this bookSize of a large book
Relative size
Physical desc.
Paperback • 242 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-26544-1
User Ratings
no rating (0 vote)

Average rating: no rating

0 rating 1 star = We can do without
0 rating 2 stars = Good book
0 rating 3 stars = Excellent book
0 rating 4 stars = Unique / a reference

Your rating: -

Report incorrect or incomplete information

Book Presentation:
This book offers an introduction to popular Hindi cinema, a genre that has a massive fan base but is often misunderstood by critics, and provides insight on topics of political and social significance.

Arguing that Bollywood films are not realist representations of society or expressions of conservative ideology but mediated texts that need to be read for their formulaic and melodramatic qualities and for their pleasurable features like bright costumes, catchy music, and sophisticated choreography, the book interprets Bollywood films as complex considerations on the state of the nation that push the boundaries of normative gender and sexuality. The book provides a careful account of Bollywood’s constitutive components: its moral structure, its different forms of love, its use of song and dance, its visual style, and its embrace of cinephilia. Arguing that these five elements form the core of Bollywood cinema, the book investigates a range of films from 1947 to the present in order to show how films use and innovate formulaic structures to tell a wide range of stories that reflect changing times. The book ends with some considerations on recent changes in Bollywood cinema, suggesting that despite globalization the future of Bollywood remains promising.

By presenting Bollywood cinema through an interdisciplinary lens, the book reaches beyond film studies departments and will be useful for those teaching and studying Bollywood in English, sociology, anthropology, Asian studies, and cultural studies classes.

About the Author:
Ulka Anjaria is Professor of English at Brandeis University, where she writes and teaches on South Asian literature and film. She is the author of Realism in the Twentieth-Century Indian Novel: Colonial Difference and Literary Form (2012) and Reading India Now: Contemporary Formations in Literature and Popular Culture (2019), and is the editor of A History of the Indian Novel in English (2015).

See the publisher website: Routledge

> On a related topic:

Bollypolitics:Popular Hindi Cinema and Hindutva

Bollypolitics (2026)

Popular Hindi Cinema and Hindutva

by Ajay Gehlawat

Subject: Countries > India

Muslim Identity in Hindi Cinema:Poetics and Politics of Genre and Representation

Muslim Identity in Hindi Cinema (2025)

Poetics and Politics of Genre and Representation

by Mohammad Asim Siddiqui

Subject: Countries > India

Postcolonial Bollywood and Muslim Identity:Production, Representation, and Reception

Postcolonial Bollywood and Muslim Identity (2024)

Production, Representation, and Reception

by Nadira Khatun

Subject: Countries > India

Centring Women in Bollywood Biopics:Empowerment and Agency in Contemporary Indian Cinema

Centring Women in Bollywood Biopics (2024)

Empowerment and Agency in Contemporary Indian Cinema

by Chandrava Chakravarty and Sneha Kar Chaudhuri

Subject: Countries > India

Networked Bollywood:How Star Power Globalized Hindi Cinema

Networked Bollywood (2024)

How Star Power Globalized Hindi Cinema

by Swapnil Rai

Subject: Countries > India

Sirens of Modernity:World Cinema via Bombay

Sirens of Modernity (2022)

World Cinema via Bombay

by Samhita Sunya

Subject: Countries > India

Beyond Bollywood:2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

Beyond Bollywood (2022)

2000 Years of Dance in the Arts of South Asia, Southeast Asia, and the Himalayan Region

Dir. Forrest McGill

Subject: Countries > India

Shooting Terror:Terrorism in Hindi Films

Shooting Terror (2021)

Terrorism in Hindi Films

by Meenakshi Bharat

Subject: Countries > India

Bollywood's New Woman:Liberalization, Liberation, and Contested Bodies

Bollywood's New Woman (2021)

Liberalization, Liberation, and Contested Bodies

Dir. Megha Anwer and Anupama Arora

Subject: Countries > India

11749 books listed   •   (c)2024-2025 cinemabooks.info   •