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The City Symphony Phenomenon

Cinema, Art, and Urban Modernity Between the Wars

Sous la direction de Steven Jacobs, Eva Hielscher et Anthony Kinik

Type
Studies
Sujet
On FilmsLocations
Mots Clés
city, 1920s, 1930s
Année d'édition
2021
1ere édition
2019
Editeur
Routledge
Collection
AFI Film Readers
Langue
anglais
Taille d'un livre de poche 11x18cmTaille relative de ce livreTaille d'un grand livre (29x22cm)
Taille du livre
Format
Paperback • 360 pages
6 ¼ x 9 ½ inches (16 x 24 cm)
ISBN
978-0-367-45947-5
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Description de l'ouvrage:
The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.

À propos des auteurs :
Steven Jacobs is an art historian who specializes in the relation between film and the visual arts. His publications include The Wrong House: The Architecture of Alfred Hitchcock; Framing Pictures: Film and the Visual Arts; and The Dark Galleries: A Museum Guide to Painted Portraits in Film Noir. He teaches at Ghent University and the University of Antwerp.
Anthony Kinik’s work spans documentary, experimental, avant-garde, and industrial practices, and his principal focus in recent years has been on the cinematic depiction of the urban environment, including the city symphonies cycle of the interwar period and Montreal as a “cinematic city” in the 1960s. He is an Assistant Professor of Film Studies with the Department of Communication, Popular Culture and Film at Brock University in St. Catherines, Ontario.
Eva Hielscher is a film scholar, curator, and moving image archivist. She holds an MA degree in “Preservation and Presentation of the Moving Image” from the University of Amsterdam and has worked as a PhD researcher at Ghent University.

Revue de Presse:
"The City Symphony Phenomenon: Cinema, Art, and Urban Modernity between the Wars, a product of scholarly sleuthing and obsession, is a fascinating and valuable achievement."

- Charles Musser, Yale University

Voir le site internet de l'éditeur Routledge

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