Books in French are on www.livres-cinema.info
Pop Stars on Film
Popular Culture in a Global Market
Edited by Kirsty Fairclough and Jason Wood
(0 vote)Average rating:
| 0 | rating |  = We can do without |
| 0 | rating |  = Good book |
| 0 | rating |  = Excellent book |
| 0 | rating |  = Unique / a reference |
Your rating: -
Book Presentation:
Pop stars have provided audiences with performative moments that have become ingrained in popular consciousness. They are a lens through which deeper understandings about race, gender, politics, history and the artistic process can be understood. When combined with the most affective of mediums – cinema, the combination can be both thrilling and alarming. From the relatively early days of cinema, figures from the world of popular music have made forays into acting and contributed cameo appearances. From Little Richard and Kylie Minogue to Nick Cave and Tom Waits, Pop Stars On Film: Popular Culture in a Global Market offers a collection of essays on some of the most influential international performances from a diverse range of cultural icons. The book considers industry shifts, access and diversity, but also the notion of cultural appropriation, audience appeal, marketing and demographics. Perhaps most importantly, the publication will look at what happens when cultures collide and coalesce.
About the authors:
Kirsty Fairclough is Head of Research and Knowledge Exchange and Reader in Screen Studies at the School of Digital Arts (SODA) at Manchester Metropolitan University, UK. She is the co-editor of The Music Documentary: Acid Rock to Electropop (2013), The Arena Concert: Music, Media and Mass Entertainment (Bloomsbury, 2016), Music/Video: Forms, Aesthetics, Media (Bloomsbury, 2017), The Legacy of Mad Men: Cultural History, Intermediality and American Television (2020), Prince and Popular Culture (Bloomsbury, 2020),and author of the forthcoming Beyoncé: Celebrity Feminism and Popular Culture (Bloomsbury). She is the curator of Sound and Vision: Pop Stars on Film and In Her View: Women Documentary Filmmakers film seasons at HOME, Manchester and Chair of Manchester Jazz Festival.Jason Wood is Executive Director of Public Programmes and Audiences at the British Film Institute. Having worked in the independent British film industry for over 25 years, he is also a filmmaker, whose last work, the co-directed Always (Crashing) screened at numerous international festivals. A contributor to The Wire, Wood has also written for The Economist, Time Out, Sight and Sound, Little White Lies (and others), Wood is also the author of several books, including Nick Broomfield (2005) and The Faber Book of Contemporary Mexican Cinema (2nd edition, 2021).
Press Reviews:
"Pop stars appearing in movies will frequently draw on their own, slightly unreal, public persona. But there is also dandyism, naivety and shape-shifting at play when a pop star switches from one discipline to the other, things that stage actors can't necessarily bring to film. Here is a book that gives equal weight to David Bowie's careers as musician and actor, and is all the more readable and fascinating for it." ―Bob Stanley, author of Let's Do It: The Birth of Pop
See the publisher website: Bloomsbury Academic
> From the same authors:
New British Cinema (2015)
from 'Submarine' to '12 Years a Slave'
by Jason Wood and Ian Haydn Smith
Subject: Countries > Great Britain
> On a related topic:
Becoming Belafonte (2016)
Black Artist, Public Radical
by Judith Smith
Subject: Actor > Harry Belafonte
Growing Up on the Set (2002)
Interviews with 39 Former Child Actors of Classic Film and Television
by Tom Goldrup and Jim Goldrup
Subject: Actor
Climbing Rejection Mountain (2020)
An Actor's Path to Success, Stability, and Self-Esteem
by Nick Wyman
Subject: Jobs and Trainings
Starring Red Wing! (2019)
The Incredible Career of Lilian M. St. Cyr, the First Native American Film Star
Subject: Silent Cinema
More than Fifteen Minutes of Fame (2013)
The Changing Face of Screen Performance
by Ken Miller
Subject: Sociology
Back
