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Japanese Horror Cinema and Deleuze
Interrogating and Reconceptualizing Dominant Modes of Thought
de Rachel Elizabeth Barraclough
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Description de l'ouvrage:
Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze. In particular, the complexities and nuances of how films like Ju-On: The Grudge (2002), Audition (1999) and Kairo (2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.
À propos de l'auteur :
Dr. Rachel Elizabeth Barraclough is an associate lecturer within the school of film and media at The University of Lincoln, UK. She received her PhD from the University of Lincoln in 2018. Her research interests lie in the horror genre, East Asian cinema and Deleuzian philosophy.
Revue de Presse:
"Japanese Horror Cinema and Deleuze challenges conventional film analysis by exploring the genre's affective elements. Clear and engaging, this work is an important contribution to the discipline of cinema studies and is a must for students of film and philosophy." ―Jay McRoy, Professor of English, University of Wisconsin - Parkside, USA
"This book provides an important intervention into the scholarship on Japanese horror by avoiding a well-worn hermeneutic approach to cinematic analysis, examining, instead, the many interconnections that develop between the bodies of audience members, films, and nations as cinematic works are created and viewed worldwide. In so doing, this study brings a fresh perspective to some of the iconic works of the genre." ―Marc Yamada, Associate Professor, Comparative Arts & Letters, Brigham Young University, USA
Voir le site internet de l'éditeur Bloomsbury Academic
> Sur un thème proche :
Japanese and American Horror (2014)
A Comparative Study of Film, Fiction, Graphic Novels and Video Games
Japanese Science Fiction, Fantasy and Horror Films (2007)
A Critical Analysis and Filmography of 103 Features Released in the United States, 1950–1992
The Ethics of Horror (2024)
Spectral Alterity in Twenty-First-Century Horror Film
Horror and Philosophy (2023)
Essays on Their Intersection in Film, Television and Literature
Dir. Subashish Bhattacharjee et Fernando Gabriel Pagnoni Berns
Necessary Death (2023)
What Horror Movies Teach Us About Navigating the Human Experience
de Preston Fassel et Chris Grosso
Terrors of the Flesh (2020)
The Philosophy of Body Horror in Film
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