The Avatar Television Franchise
Storytelling, Identity, Trauma, and Fandom
Moyenne des votes :
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
0 | vote | ![]() |
Votre vote : -
Description de l'ouvrage:
Nickelodeon’s Avatar: The Last Airbender (2005-08) and its sequel The Legend of Korra (2012-14) are among the most acclaimed and influential U.S. animated television series of the 21st century. Yet, despite their elevated status, there have been few academic works published about them. The Avatar Television Franchise: Storytelling, Identity, Trauma, Fandom and Reception remedies this gap by bringing together a wide range of scholarly writings on these shows. This edited collection is comprised of 13 chapters organized into 4 sections, featuring close readings of key episodes, analyzing how they create meaning as well as illustrating how established theories can guide those readings. Some chapters explore different theories relating to identity as well as considering the repercussions of depicting real-world identities in these shows, while others examine the various manifestations of trauma from throughout the franchise as well as illustrates different scholarly approaches to the topic. Still others utilize fan studies to understand the myriad ways viewers have responded to and interpreted the Avatar franchise.
À propos de l'auteur :
Francis M. Agnoli is an independent animation scholar in the USA. He received his PhD from the University of East Anglia, UK, where he researched the intersection between race and animation studies. His work has been published in the online journal Animation Studies, Animation: An Interdisciplinary Journal, and the edited collection Fantasy/Animation: Connections Between Media, Mediums and Genres (2018).
Revue de Presse:
"Avatar: The Last Airbender and The Legend of Korra are 2 of the most beloved contemporary animated television programs, with multifaceted characters, intricate storylines and a beautifully-rendered and morally complex world. It is only fitting that they deserve a scholarly treatment worthy of their complexity. The Avatar Television Franchise: Storytelling, Identity, Trauma and Fandom is that volume. The essays constitute a remarkable and thorough investigation into the franchise as situated across multiple disciplines. This book is highly recommended as a comprehensive resource for students, researchers and fans alike." ―Amy Ratelle, Strategic Research Development, Jackman Humanities Institute, University of Toronto, Canada
"It is always cause for celebration when new academic scholarship on animated media announces its arrival, and even more so when the final outcome is of this quality and scope. The international and interdisciplinary range of scholars assembled here takes the reader confidently through the metaphors, myths, and meanings of Nickelodeon's successful media franchise, exploring how and why each series has garnered such critical and commercial acclaim via impressive examinations of individual episodes, narrative arcs, character relations, and key themes. This collection will undoubtedly become a central text not just for the sustained focus that it affords its primary case studies, but for the effective conclusions drawn throughout that hold wide-ranging implications for the study of popular animation, contemporary U.S. television, on-demand and streaming platforms, fan communities, and children's media culture more broadly." ―Christopher Holliday, Lecturer in Liberal Arts and Visual Cultures Education, King's College London, UK
"The Avatar Television Franchise: Storytelling, Identity, Trauma, Fandom and Reception provides an exceptionally eclectic collection of essays, approaching the series with a wide range of innovative methodological approaches. The result is a fascinating dive into varied thematic content across storytelling, identity, trauma, and fandom from multifaceted perspectives including feminism to posthumanism and beyond. A must read for those interested in mining the many different ways this series can be interpreted and what it might tell us about the world." ―Caroline Ruddell, Reader in Film and TV Divisional Lead for Production and Performance, Brunel University London, UK
Voir le site internet de l'éditeur Bloomsbury Academic
Voir la fiche de Avatar: The Last Airbender (TV Series) (2005–2008) sur le site IMDB ...
> Du même auteur :
Race and the Animated Bodyscape (2023)
Constructing and Ascribing a Racialized Asian Identity in Avatar and Korra
> Sur un thème proche :
Stupid TV, Be More Funny (2025)
How the Golden Era of The Simpsons Changed Television-and America-Forever
de Alan Siegel
Sujet : One Film > The Simpsons (TV Series)
Star Trek and the Tragic Hybrid (2024)
Children of Two Worlds from Spock to Soji
Sujet : One Film > Star Trek (TV Series)
Understanding the Simpsons (2021)
Animating the Politics and Poetics of Participatory Culture
de Moritz Fink
Sujet : One Film > The Simpsons (TV Series)
Star Trek, History and Us (2021)
Reflections of the Present and Past Throughout the Franchise
de A.J. Black
Sujet : One Film > Star Trek (TV Series)
Jessica Jones, Scarred Superhero (2018)
Essays on Gender, Trauma and Addiction in the Netflix Series
Dir. Tim Rayborn et Abigail Keyes
Sujet : One Film > Jessica Jones (TV Series)
Buffy the Vampire Slayer FAQ (2017)
All That's Left to Know about Sunnydale's Slayer of Vampires Demons and Other Forces of Darkness
Sujet : One Film > Buffy the Vampire Slayer (TV Series)
Supernatural (2014)
Fan phenomena
Dir. Lynn Zubernis et Katherine Larsen
Sujet : One Film > Supernatural (TV Series)